View of Gaze, space 413, Seoul, KR, curated by Lepsy Label 
photo © Dongkyun Vak









〈왕관부터 꼬리까지〉 From crown to tail, 2020, found objet(chandelier), feather, resin, glass, crystal, plastic beads, silicone, crack cilicon, doll’s eyeball, ear rings, bulb and mixed media, approx. 175×90×100cm
Presented in Gaze, space 413, Seoul, KR
1st to 4th photo © Dongkyun Vak
5th & 6th photo, Me in the mirror on the jewerly stand, LaLa&, Seoul, KR (2022ver.)

 


〈밖에서 안까지〉 From outside to inside, 2020, shower hose, feather, resin, iron rod, painted wood, Styrofoam, cotton swab, silicone, crack silicon and mixed media, variable installation(width approx. 560cm)
Presented in Gaze, space 413, Seoul, KR  
photo © Dongkyun Vak


 
〈구멍(들)〉 (w)Holes, 2020, pencil on plaster, iron, 22.3×15×5.2cm
Presented by Gaze, space 413, Seoul, KR and Me in the mirror on the jewerly stand, LaLa&, Seoul, KR





〈죽일 놈의 사랑〉 Kill this love, 2020, plaster, aluminum rod, pigmented resin, 28×47×7cm
Presented by Gaze, space 413, Seoul, KR and Off, space 413(pack), Seoul, KR
2nd photo © pack



View of Gaze, space 413, Seoul, KR
photo © Dongkyun Vak
(Twins, IAMREALLYSORRYTHATILOVEYOU, Kill this love, (w)Hole, Burn your flowers, Thumbs love, Inside dream, Burning kiss, Tissue cake, Your one and only scent, Blame it on my youth, An egg With eggs, For all we know & Untitled sculptures)


        

            

    






        
〈별이 있는 풍경〉 Landscape With Stars, 2020, acrylic on plaster, silicone and mixed media, 85.5×42.7×9.5cm
〈탄생부터 죽음까지〉 From Birth To Death, 2020, pencil on plaster and mixed media, 104×75.5×10cm
〈무지개가 있는 풍경〉 Landscape With Rainbow, 2020, plaster, crystal beads and mixed media, 86.5×44.7×12cm
Presented in Gaze, space 413, Seoul, KR
1st-6th photo © Dongkyun Vak





〈글로리 홀〉 Glory hole, 2019(3D scan in 2020)paint and grahite on plaster, 98×86×27cm
Presented in Sujanggo, https://sujanggo.com, curated by Hwiyoon Jeong

〈엔트로피 넘버.1〉 Entropy no.1, 2019(3D scan in 2020), plaster, 144×49×61cm
Presented in Sujanggo, https://sujanggo.com, curated by Hwiyoon Jeong